Oregon Enhanced ELA State Review for K–5

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Discovering and exploring mathematics in every story

Smiling young boy sits at a classroom desk holding an open book, developing reading comprehension, while two other children are seen in the background engaged in activities.

Every picture book on your classroom shelf holds mathematical treasures waiting to be discovered! What if every read-aloud could go beyond a literacy moment to become a catalyst for mathematical sense-making? This question lies at the heart of Allison Hintz and Antony T. Smith’s delightful and informative book, Mathematizing Children’s Literature: Sparking Connections, Joy, and Wonder Through Read-Alouds and Discussion.

Many teachers have used traditional counting books and shape-focused stories to support students in connecting mathematics to literature. According to Hintz and Smith, you can challenge readers to extend and expand upon these experiences in ways that provide more space for them to make sense of stories; ask their own questions; see mathematics authentically in the world; and make connections between the stories, the math, and their lives. That’s the promise of mathematizing—approaching any story with a mathematical lens.

The concept of “mathematizing” goes beyond simply finding numbers in a story. Children are naturally curious and construct meaning by noticing, exploring, explaining, and modeling. The story context becomes a place to play and practice seeing math everywhere in our world. As we read a story aloud and pause to ask, “What do you notice? What do you wonder?,” students are able to surface structure, compare quantities, model situations, and justify their ideas, all while staying rooted in characters, plot, setting, and theme. The result is a classroom where math feels joyful, meaningful, connected, and accessible.

In this post, we’ll explore simple moves to mathematize your next read-aloud, sample prompts to elevate discussion, and follow-up activities to turn your library into a launchpad for mathematical thinking!

Mathematizing process and structure

While there’s no one way to facilitate a mathematical read-aloud, the following steps can help you get started:

  1. Explore books in your current library. There are no hard and fast rules for choosing the right book to mathematize, because a book can spark mathematical ideas in many ways. Look for books that a) are overtly ‘mathy’ where the math is central to the story’s plot, b) have illustrations that provide opportunities to explore the math in them, and/or c) have a story that inspires mathematical thinking, even if the math isn’t central to the story’s plot.
  2. Read the book aloud for the first time. The first read is a wonderful opportunity for students to hear and enjoy the story itself.
  3. Ask students what they noticed and wondered. As students share their responses, record them on a piece of chart paper to revisit later. If no responses pertain to the math in the story, you can follow up with the question, “Where did you see math in the story?”
  4. Reread the book a second time or revisit a specific page in the book. At this point, you want to start to focus on the math the students will explore in the book. You can either reread the entire story and pause on strategic pages that center on the mathematical ideas, or revisit specific pages in the story. (If the story is longer,it will probably be easiest to just flip back to specific pages.)
  5. Elicit student thinking. Ask students what math questions they could ask based on the pages they revisited.
  6. Give students a follow-up math activity. This could be based on a question the students mentioned earlier in this process, or one the teacher has planned.

Mathematizing examples

To save you time finding a book to use, we’ve outlined a plan based on some of our favorite books to mathematize (listed by grade band).

Grade levelK–1
Book title and authorBear Says Thanks by Karma Wilson
Mathematical focusCounting, addition, and mathematical representations
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How many friends visited Bear? What different food items did Bear’s friends bring?”
Pages to revisitAs students describe the different foods, revisit those pages. Identify any foods the students didn’t mention. As you revisit each page, ask students, “How many of that food item did that friend bring? ”Record their responses on a piece of chart paper for each friend. 
ActivityArrange students in small groups of 3–4 and give them a piece of poster paper. Ask students to show each friend’s food items. They can represent them using pictures, counters, ten-frames, etc. After they’ve correctly represented each friend, ask them to show how many total food items Bear’s friends brought using numbers and equations. When they’ve finished, have them visit one another’s posters to see how others represented and added the food items. 
Grade level2–3
Book title and author100 Hungry Ants by Elinor J. Pinczes
Mathematical focusConnecting arrays to expressions
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How did the ants rearrange themselves throughout the book?”
Pages to revisitAs students describe the different arrangements of ants, revisit those pages so students have a visual of the array. As you revisit each page, ask students, “How many ants are in each row? Each column? What is an equation we can write to represent the array?” Record their responses on a piece of chart paper. 
ActivityArrange students in small groups of 3–4 and give them a piece of poster paper. Give each group a different number of ants. Suggested numbers are: 12, 24, 36, 20, 18. Ask students to draw all of the different ways their number of ants could rearrange themselves and record an equation to match each. If it’s helpful, you can give each group a set of cubes, counters, or beans to represent the ants so they can manipulate them. Wrap up the activity by having students visit one another’s posters and discussing the similarities and differences between them. 
Grade level4–5
Book title and authorDozens of Doughnuts by Carrie Finison
Mathematical focusMultiplication and division
LaunchRead the story aloud. Ask students, “What do you notice? What do you wonder?” Record their responses on a piece of chart paper. And ask students, “How many ways did Luanne share her doughnuts as friends arrived at her door?”
Pages to revisitAs students describe the different ways Luanne shared her doughnuts, revisit those pages. As you revisit each page, ask students, “How many doughnuts were being shared? By how many animals? ”Record their responses on a piece of chart paper. 
ActivityArrange students in small groups of 3–4 and give them each a piece of poster paper. Ask them to show all of the ways Luanne shared her doughnuts. To enable variation, refrain from specifying the representation they should use. After they’ve finished, ask them to do a Gallery Walk to each other’s posters to get ideas to add to their poster. If none of the groups have a multiplication and division equation for each way, ask students to record those as well. Ask students how Luanne could have shared a dozen doughnuts with the following number of animals showing up at her door: 5, 8, 10, 14, 16, and 18. Encourage students to show their work and record multiplication and division equations. 

And with all the upcoming holidays and opportunities to gather with friends and family, we were also inspired to use Spaghetti and Meatballs for All! by Marilyn Burns in a mathematizing read-aloud. Follow this link to find K–2 and 3–5 lesson plans for this book that you can use right away!

CKLA – Knowledge Research Units for K–5

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Introducing new units for Amplify CKLA and Amplify Caminos K–5

As part of our commitment to creating even richer and more wide-ranging curricula, we are excited to release six new units for both Amplify CKLA and Amplify Caminos!

Click here to learn more about Amplify CKLA.

Click here to learn more about Amplify Caminos.

About these units

Our brand-new Knowledge Research units carry forward the powerful and proven instructional approach of both Amplify CKLA and Amplify Caminos while also:

  • Adding more variety to engage students from many walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

Three illustrations: one shows people at a gaming session, the middle depicts a diverse group standing together, and the third portrays a group gardening outdoors.

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: Art and the World Around Us/El arte y el mundo que nos rodea
  • Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación
  • Grade 3: All That Jazz/Jazz y más
  • Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro
  • Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Units are available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (grades K–3 and 5)

Grade K: Art and the World Around Us/El arte y el mundo que nos rodea

“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. Art and the World Around Us honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the worlds around them, too.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Amplify CKLA and Amplify Caminos domains: Farms/Granjas, Plants/Plantas, and Taking Care of the Earth/Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidents and American Symbols/Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, and have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • The First Drawing by Mordicai Gerstein
  • Van Gogh and the Sunflowers by Laurence Anholt
  • My Name is Georgia by Jeanette Winter
  • A Life Made by Hand by Andrea D’Aquino
  • Rainbow Weaver by Linda Elovitz Marshall
  • Luna Loves Art by Joseph Coelho

Grade 1: Adventure Stories: Tales from the Edge of the World/Cuentos de aventuras: relatos desde los confines de la Tierra

This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside of the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered in the previous grade.

  • Nursery Rhymes and Fables/Rimas y fábulas infantiles (Kindergarten)
  • Stories/Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Adventure Stories: Tales from the Edge of the World. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name is Gabito/Me llamo Gabito by Monica Brown
  • Tomas and the Galápagos Adventure by Carolyn Lunn
  • The Astronaut with a Song for the Stars: The Story of Dr. Ellen Ochoa by Julia Finley Mosca
  • Mae Among the Stars by Roda Ahmed
  • Shark Lady: The True Story of How Eugenie Clark Became the Ocean’s Most Fearless Scientist by Jess Keating
  • Manfish by Jennifer Berne
  • Keep On! The Story of Matthew Henson, Co-Discoverer of the North Pole by Deborah Hopkinson
  • The Top of the World: Climbing Mount Everest by Steve Jenkins

Grade 2: Up, Up, and Away: The Age of Aviation/¡A volar! La era de la aviación

With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aída de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 CKLA and Amplify Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

This unit builds upon the following Amplify CKLA and Amplify Caminos units that students will have encountered earlier in the year.

  • The Ancient Greek Civilization/La civilización griega antigua (Grade 2)
  • Greek Myths/Mitos griegos (Grade 2)
  • Westward Expansion/La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Up, Up, and Away: The Age of Aviation. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Up and Away!: How Two Brothers Invented the Hot-Air Balloon by Jason Henry
  • The Glorious Flight: Across the Channel with Louis Blériot by Alice and Martin Provensen
  • The Flying Girl: How Aída de Acosta Learned to Soar by Margarita Engle
  • Wood, Wire, Wings: Emma Lilian Todd Invents an Airplane by Kirsten Larson
  • Helicopter Man: Igor Sikorsky and His Amazing Invention by Edwin Brit Wyckoff
  • The Tuskegee Airmen Story by Lynn Homan and Thomas Reilly
  • Skyward: The Story of Female Pilots in WWII by Sally Deng
  • Aim for the Skies: Jerrie Mock and Joan Merriam Smith’s Race to Complete Amelia Earhart’s Quest by Aimee Bissonette

Grade 3: All That Jazz/Jazz y más

This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Birth of the Cool: How Jazz Great Miles Davis Found His Sound by Kathleen Cornell Berman
  • Little Melba and Her Big Trombone by Kathryn Russell-Brown
  • Benny Goodman and Teddy Wilson: Taking the Stage as the First Black and White Jazz Band in History by Lesa Cline-Ransome
  • Tito Puente, Mambo King by Monica Brown
  • Drum Dream Girl: How One Girl’s Courage Changed Music by Margarita Engle
  • Duke Ellington: The Piano Prince and His Orchestra by Andrea Pinkney

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Grade 4: Energy: Past, Present, and Future/Energía: pasado, presente y futuro

With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades as well as earlier in the year.

  • Plants/Plantas (Grade K)
  • The History of the Earth/La historia de la Tierra (Grade 1)
  • Eureka! Student Inventor/¡Eureka! El arte de la invención (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energy: Past, Present, and Future. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Buried Sunlight: How Fossil Fuels Have Changed the Earth by Molly Bang and Penny Chisholm
  • Energy Island: How One Community Harnessed the Wind and Changed their World by Allan Drummond
  • The Boy Who Harnessed the Wind: Picture Book Edition by William Kamkwamba and Bryan Mealer

Grade 5: Beyond Juneteenth: 1865 to present/Más allá de Juneteenth: de 1865 al presente

Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

This unit builds upon the following Amplify CKLA units that students will have encountered in previous grades.

  • Native Americans/Los nativos americanos (Grade K)
  • A New Nation: American Independence/Una nueva nación: la independencia de los Estados Unidos
    (Grade 1)
  • The U.S. Civil War/La Guerra Civil de los Estados Unidos (Grade 2)
  • Immigration/La inmigración (Grade 2)
  • Native Americans/Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Beyond Juneteenth: 1865 to present. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • All Different Now: Juneteenth, the First Day of Freedom by Angela Johnson
  • The Great Migration: An American Story by Jacob Lawrence
  • Sing a Song: How “Lift Every Voice and Sing” Inspired Generations by Kelly Starling Lyons
  • Side by Side/ Lado a lado: The Story of Dolores Huerta and Cesar Chavez/ La Historia de Dolores Huerta y Cesar Chavez by Monica Brown
  • Of Thee I Sing: A Letter to My Daughters by Barack Obama

Amplify CKLA Review for Alabama

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S2-03: Building meaningful student connections in the science classroom

Promotional image for a podcast episode titled "Sharita Ware: Building meaningful student connections," featuring Sharita Ware and "Science Connections" branding.

In this episode, Eric Cross sits down with Indiana State Teacher of the Year, Sharita Ware, to talk about how to successfully build meaningful student connections in the science classroom. Sharita shares her journey from a corporate career to becoming Indiana’s 2022 Teacher of the Year, and her passion for creating project-based lessons for her students. Together, Eric and Sharita discuss how educators can teach students to love science content by building strong relationships, adding in other content areas, and supporting students’ imagination. Explore more from Science Connections by visiting our main page.

Download Transcript

Sharita Ware (00:00):
I try to create that equal playing field where there’s nobody’s voice, that’s more important than anyone else’s and try to make them all feel that what they have to say is important.

Eric Cross (00:14):
Welcome to science connections. I’m your host Eric. My guest today is Sheta where Sheta is the 2022 Indiana state teacher of the year. And in her 10 year career, as an engineering and technology teacher, she has dedicated herself to helping students build knowledge and skills for high school and life. Beyond. In this episode, we discuss how she inspires her seventh and eighth grade students to build problem solving and critical thinking skills through hands on real world and collaborative projects. She is as humble as she is knowledgeable and through our conversation, it was easy for me to see why her students feel successful under her guidance. And now please enjoy my conversation with Sharita Ware.

Eric Cross (00:59):
Can I start off by saying congratulations on teacher of the year. Thank you for the state of Indiana. Um, that’s amazing. So I, I, I did watch, uh, your videos, uh, short interviews, and then you spoke, was it Purdue? Yes. You were there. And so, uh, to see if fellow seventh grade, eighth grade science teacher out there being celebrated, like I was so excited, so yeah, I wanted to congratulate you on that and, and just kind of talk to you about like your teaching journey and ask you, uh, maybe just kind of start off with your story about what brought you into, into the classroom, especially the middle school.

Sharita Ware (01:29):
Classroom. So what happened is when I was working in industry as an engineer and when my husband and I got married, we decided that I was gonna, um, stay home with the kids because, you know, we wanted, um, our influence to be greater on our kids than, you know, the people that would be watching them, you know, because they would ultimately spend more time with them than they would with us. And, and so, um, I stayed home and when my youngest was going to be going to kindergarten the next year, I was like, okay, what am I going to do? Cuz I really don’t necessarily feel like I need to stay at home. Mm-hmm <affirmative> but um, I knew going back to industry would be a challenge just because in my field, I, I was traveling a lot before I got married and had kids.

Sharita Ware (02:14):
And so I knew that that wouldn’t really be conducive to again, raising children. So I, I get this email, my inbox for Woodrow Wilson, teaching fellowship at Purdue. And they were just looking for people in stem fields to go into teaching. And I was like, okay. And it was a national search, you know, I filled out the application, we had to go in and do some sample teaching mm-hmm <affirmative>. And I was picked as, as one of the, the teachers to go through the program. And I started off thinking I wanted high school. And the really cool thing about this, uh, program is that we had long observation periods at high school and at middle schools. And so we would go to a school and we’d stay there two or three weeks. And so it, it kind of gave you right. A little bit more insight to what happened on a daily basis. And after those observations, I was like, I like middle school better than I, uh, like high school. And so I just kind of went that direction and you know, the rest is history. So

Eric Cross (03:19):
I feel like our stories are similar because I went into teaching thinking I wanted to do high school because I like the maturity and you a little bit more sophistication, advanced things, but yes, middle school, I felt like I can, I could get them more upstream before and kind of help shape mm-hmm <affirmative> that experience for them? Because I feel like at middle school is really where they kind of decide like what they can do based on their experiences.

Sharita Ware (03:39):
I found in the middle school that the kids, I mean, they just, they clamor around you and they’re like, what are we doing today? You know? And they get so excited and, um, they’re, they’re just, I don’t know, I guess in some ways, just more hungry in the sense of like they’re willingness to, um, now sometimes they’re a little reluctant, but you know, their willingness just to try new things. And I think, um, my students really what I have found over the years that they have found a safe space and I hear the kids, you know, say to me so many times that, you know, it it’s safe. I feel, I feel safe in here. And, and it’s not something that in my mind I’m thinking about, oh, I need to make this a safe place. It’s just, I guess part of just who I am as a person has created this environment of, of safety and, and the kids recognize that, you know, I don’t play favorites. You know, everybody starts out mm-hmm, <affirmative> on equal footing. I, I don’t care what your backstory is. I don’t care how many times I see you in the hallway when I’m walking during my prep. You know, when you hit my room, I’m, I’m gonna treat you the same way on day one, that I treat everybody else.

Eric Cross (04:54):
You really understand how to build culture with, in, with your classroom, with your students. And, and you said they feel safe, but is there anything that you do that someone could like apply? And like you found that you’ve gotten a lot of just relational capital through doing these things, or is it just your personality? Like how, how do you build those connections?

Sharita Ware (05:12):
You know, growing up being a, a very quiet person. I, I think a lot of times my voice was ignored because I was the quiet kid in the back of the room. And oftentimes I became seen or heard because of my work, you know, in the beginning it was kind of like, oh, she’s just this quiet girl in the back of the room. And then, you know, the first essay was due or the first project was due. And then it was like, oh, you know, then you’re the person to be on, you know, people’s teams. And, and that, I don’t know, that always kind of bothered me because, you know, I’m thinking just because you’re not the loudest person in the room doesn’t mean that you don’t have something to say, mm-hmm <affirmative>, you just might not be talking all the time. You know? And, and so for my students, I just, I try to create that equal playing field where there’s, nobody’s voice, that’s more important than anyone else’s and try to make them all feel like that what they have to say, or what they have to contribute is, is enough, is good.

Sharita Ware (06:14):
Enough is important as…

Eric Cross (06:16):
It is, as it is. And there’s probably a lot of things that you do. But in addition to building these relationships, what do you do? Like how do you make your learning fun for students?

Sharita Ware (06:25):
I think, um, I’m also a little bit on the silly side. Um, we do a, a Barbie prosthetic leg project, and this was after trial and error of having the kids make full size prosthetic legs. And I try to make it as real world as possible, but with none of the children being amputee or, you know, having access to someone, it was really hard for them to really visualize what needed to happen. Mm-hmm <affirmative>. And so, um, I found this Barbie that had a prosthetic leg and I was like, well, LA, so I just started collecting Barbies and chopping their legs off <laugh>. And so I have this jar of Barbie legs. And so, and I said, you’re gonna make prosthetic legs. And I lay this jar of legs on the counter and the kids are like, like they gasp and then they crack up and then they’re like, okay, this lady’s crazy. So…

Eric Cross (07:22):
That’s when you take off your scarf and there’s this necklace of just Barbie legs that are just around and you’re like, I’m a middle school teacher and they go, oh, okay. I understand. Yeah. Yeah. It’s totally fine. Is this a lesson that someone that you made up or is it something that you’ve re remixed? Is it something that someone could do if they looked it up anywhere?

Sharita Ware (07:38):
Um, so I think teach engineering has the, the full size leg that the kids make. And that’s where I initially got it from.

Eric Cross (07:47):
Is that the website teach engineering?

Sharita Ware (07:49):
Yes. And, um, I, in fact, I get lots of ideals from there. Um, and I, I always usually tweak them, but it’s, it’s one of those things that kind of gets your brain going. And so it was kind of a mixture of, uh, project lead the way gateway to technology and the teach engineering. And I think the project lead the way had us making like braces, uh, for, um, kids with, um, like cerebral palsy or, or something like that. And the kids did okay with that project. Uh, but I wanted to go just a little bit, uh, deeper with it because part of what I was wanting them to do is that context and that connection, that human connection, because for me, it’s not just enough for them to make a project. Uh, before we start this prosthetic leg, I read them a story out of a Scholastic magazine, and it’s a, a teenage girl that lost her leg in a boating accident.

Sharita Ware (08:42):
And she was super active, um, playing sports and running. And, and so I was, you know, trying to get the kids to, you know, make that connection, someone close to their age. Um, and then how it’s not, it’s, it’s more than about her physical healing. It’s also about her mental healing and how she had to, you know, talk to herself to say that she could, you know, recover and, and come back from this and still go on to do all of the things that she was doing before. Um, and in some ways it’s kind of cool because, um, you know, she has a running prosthetic, she has a, a swimming prosthetic, and she has her every day with the pain and toils prosthetic. So just trying to, you know, help them to see that it’s more than just the, you know, the biomedical mechanical engineering aspect of the project.

Sharita Ware (09:30):
And so they have to design for comfort. They have to design for, um, swelling. And then, um, they also can, if they, if they want to, they don’t have to, if they want to, they can create their own backstory. So when they get there, um, we have a day where they are introduced to their client, so they get to meet their Barbie and, and then they get to decide if they want a backstory and, and then do their research based off of that. So if it’s someone that was a runner, then they can design a prosthetic running blade. So just, they have lots of, uh, flexibility.

Eric Cross (10:04):
The, that aspect of adding the narrative. It does so much for like listening to it on the outside. It one, it adds this humanity to, you know, what can sometimes just feel like it may be cold, logical stem. We’re just, we’re just doing things. We’re fixing things. We’re, you know, we’re discovering things, but really the stem has value when we’re actually applying it to, to, to serve humanity or our ecosystem or whatever it is. There was a, a coding, uh, class I was doing with my students and I showed them this app called be my eyes. And it’s for people who are visually impaired and it pairs them with a volunteer. And when they call, and there’s a whole huge pool of volunteers and I’m one of them. And when my, when it happens in class, I answer and it uses the FaceTime. So the person who’s visually impaired is holding up their phone and you see what they see and you tell them and real time what’s happening.

Sharita Ware (10:54):
Oh, wow. That’s so cool.

Eric Cross (10:56):
These are, these were the things I think for students that the story, the, the human part of it, mm-hmm, <affirmative>, it must bring in so many more students into engagement.

Sharita Ware (11:05):
Yeah. I, I feel like it does because I, I think, um, and, you know, along the journey, they kind of lose, um, they lose sight a little bit because, you know, they get out in the lab and they have access to all of these different materials. And I think, you know, truly making it, you know, project based for me is I try not to control the materials too much. Um, I try not to make it so wide that they just get lost, but I try to throw a few curve balls in there, you know, of, of materials that really don’t make sense to use, but they kind of think they make sense to use. Um, because the, the, the meat of it is that the prosthetic leg is a similar size of the original leg and that the, the knee functions. And so I don’t limit, and I grade them off of efficient use of materials.

Sharita Ware (11:59):
So, and that just throws them off because I think, well, how many Popsicle sticks can I use? And I’m like, you can use as many as you like, but remember, this is a prosthetic leg that, um, your Barbie, which is one six scale, um, is going to be wearing all day. So you could think that a Popsicle stick, if you chose to use a Popsicle stick is kind of like dragging around a two by four <laugh>, you know? So do, is that what you really want to use as your material? And some of the kids really think about it and saying, okay, I’m, I’ve got this aluminum rod, okay. This is probably what I would use for my bone structure, because it’s lightweight, but yet it is supportive. And then sometimes they come up with their own ideas in terms of materials, like one student brought in his, um, 3d doodle pin mm-hmm <affirmative> and he made joints and everything with this pin.

Sharita Ware (12:54):
And I’m, and I had delayed buying one, cause I’m like, I, how do you have control over that thing? Mm-hmm <affirmative> he brought that in and he did probably two or three iterations of it and, and got it to work where even the knee where it bit back 90 degrees, but it stopped. He made like, so that it didn’t bend forward. It blows my mind. I’m like so many UN unexpected things have, have happened just from my, um, teaching style. Now I did have, my first few years, I had a, a teaching coach, um, come in and, um, I asked her to come into my room because I just wanted to make sure because I was not a traditional teacher. She said, this classroom is amazing. And, and I think the one thing that she helped me with was, was purpose and consistency and the sense of making sure that with the standards that all of these cool things and ways of being, um, that I was doing in my classroom, that, that I kept it purposeful and intentional. So many times as educators, I know in having student teachers again, ask yourself the question, what is the big picture I want the kids to take away. And once you ask that question, then everything that you have them do will lead to that big picture. Well, it should lead to that big picture.

Eric Cross (14:22):
So it sounds like they’re, you’re starting with this end goal in mind and then kind of backwards planning to get there. Yeah. Do you think you would’ve been the same type of teacher if you would’ve gone straight from college into the classroom? No. And if, if, no, as you’re shaking your head, what do you think it is about? Cause I’ve been asking myself these questions, like just over the years, what is it about coming from industry and going into the classroom? Do you feel like, is how has that impacted you in how you teach?

Sharita Ware (14:45):
Well, I think it’s twofold cuz I was older. I already had three children. I think the combination for me, I think is I was already a mom and I had worked in industry. So the behavior aspect of kids and, and then having that real world experience. And I, I just feel like whether it’s in the classroom, um, marriage, kids, to me, it’s 90% relationship, you know, and the rest will work itself out. That’s, that’s just my, my take on it. But I, I feel like having kids, so some of the behavioral things I kind of was aware of, you know, and just learned many times just not to react to some of the things that they did.

Eric Cross (15:31):
Which is huge. Right. Especially in middle school is controlling your reactions.

Sharita Ware (15:35):
Yes. Cuz that’s what they want. You know? And, and I had this student last year as well. She’s brilliant. And so if she cannot wrap her mind around the purpose of what you’re doing and, and you’re pushing her to do something that she doesn’t think is necessary, mm-hmm <affirmative>, she kind of has these meltdowns. And, and so we just had this, you know, I don’t know, we just came to this understanding and it, and it works to control the meltdowns. I tried to make sure. And, and I used her as a gauge because I knew she wasn’t, she wasn’t getting upset because she didn’t understand. She didn’t understand the why mm-hmm <affirmative>. And so I felt like if she got the why then so would everyone else. So when she, if she was okay with it, then I was like, okay, then I must have explained it well enough.

Sharita Ware (16:25):
And so in my mind that I really need to make sure they understand the, again, going back to that purpose <laugh> and intention, making sure that that is clear. And then I think that’s what gets lost. Sometimes mm-hmm <affirmative> uh, with us as teachers, we, we know where we want the kids to go and we want us to trust the process, you know, just do it because I said so, but sometimes, you know, empowering your children to under to understand the why, because that again is what allows them to be able to do bigger and greater things on their own. So on that next project comes along. They’re starting to tell you, well, first we need to make sure we understand what, um, we’re being asked to do to do. So we have to define the question. We have to make our driving question that will help us stay focused. And, and you’re just standing up there going, okay, now you don’t need me. I’ll go here and sit down. <laugh> so it’s, uh, it is really cool.

Eric Cross (17:28):
Now I’m thinking about my own kids. Like, do my students know the why behind the lesson we did today? It’s one area of growth that I wanna make sure I do this year with my students. And so I really appreciate that. So the, and you just hit on something that is, has been in the forefront of my mind lately and math and English as you know, tend to be prioritized in schools everywhere because it’s what state tested. And it’s what, you know, this is a whole other conversation, but I’ve been talking to math teachers frequently about one of the challenges that they experience or they’ve been telling me is that math is kind of taught. Like it’s just computational, you’re solving these problems, but it’s really separated from any real life application. A lot of times, you know, it’s pizza or gumballs or, or just fictional scenarios and students don’t perform well many times. And some of the reasons why is cuz just no connection. I don’t want to solve puzzles. Like it’s not my jam. Do you have any just inside or, or perspective on how math is, is taught in maybe a way that you think it would students would benefit more?

Sharita Ware (18:32):
You know how kids learn in elementary school, you’ve got this, the same teacher teaching all of the subjects. And so wouldn’t that be an awesome opportunity for you to have like these, these projects where I feel like you could, a class could legit work on the same project for a whole entire year. And so couldn’t the English be writing your persuasive letter to the mayor, asking him to do this or do that. And the process of doing that they’re, they’re, they’re writing with a purpose with a true purpose. Um, and then when they’re doing math, you know, they want, they want a new neighborhood park. So, you know, well how much is this gonna cost? Well, math, what size is it gonna be math? Let’s see what it looks like, art, you know, you just, you have all of this things. And then of course then science.

Sharita Ware (19:32):
So if it’s on a heel, how can we, you know, deal with erosion? And you know, you can just pull so many different things into that. And so not only are they learning, but they’re narrowed in and focused on a project, they’re, they’re able to dive deep into, you know, learning more of learning, how to express themselves and communicate with real people. So it’s more of taking these compartmentalized learning that we do in middle school and high school. Mm-hmm, <affirmative> where you’re almost learning apprenticeship style. Mm-hmm <affirmative>, you know, you have these master educators and it’s not about them being the best at math or being the best at this or that. Cuz there’s so many tools now that could help you through that. But you’re, you’re giving, you’re teaching them so many life skills and so many ways to think and problem solve that, that we’re just that the kids just don’t have.

Eric Cross (20:27):

I think that that is amazing. And I think that in that situation, what I’m hearing is we’re going deeper, not wider because there are a lot of different concepts that kids are expected to learn. Or I should say there are several concepts that teachers are expected to teach doesn’t necessarily mean that our kids are learning, but we’re teaching them. And this way you’re embedded it into an authentic context. Students are able to go through this cycle just like real life. And then they’re also able to build these kind of really transdisciplinary skills. Not only am I learning the math, the English, the the, but I’m also learning the interpersonal skills of being able to sell myself and present myself in a way that’s winsome. And it’s especially powerful coming from someone from industry. Last question, even just listening to you, I know you, you are this for a lot of people, but I wanted to ask you who inspires you?

Sharita Ware (21:14):
I think there have been lots of people over the years. Like I’m thinking of my shop teacher who has since, uh, the last few years passed away. Um, he was one of those people, I think similar personality to me, super quiet person, but he was always in the background on my journey and his name was Joe Mo and we called her Madam Carol was my 10th grade English lit teacher. And she was the one that started reading my work out in front of the class. And you know, and that just gave me courage, not so much to be seen. Uh, but that the work I was doing was, was good. And, and I think I needed that kind of encouragement. Lastly, my students inspire me because when I look at their faces and see the excitement, I think of those students for the first time and, and, and think about this seventh and eighth graders for the first time feeling like they really have something to say, they really have something to contribute of value. And, and I do it for them. You know, the reason why I am here in this moment is because of them. Um, without them, you wouldn’t be talking to me <laugh>

Eric Cross (22:37):
This is, this is true. This is, this is true. You would probably never say this about yourself, but you just exude a humility and a service in how you talk about your students and yourself. And I just wanna thank you for using your gifts, but I don’t wanna just call them gifts because it makes it sound like you didn’t earn ’em and your skills that you’ve earned and worked very hard to acquire over the years to go back into the classroom and leave industry, cuz you, you could have gone back to industry too, but you decided not to. And you could have worked in the industry and your hours were a little different pay is a little different, but you came back to serve the kids of Indiana and because of you and because of that choice, those students have a brighter future and believe in themselves and they’re finding their voice. And I want to thank you for that and for representing all of us stem teachers who are in middle school and being that leader. So thank you for that and thank you for being on the podcast.

Sharita Ware (23:24):
You’re welcome. Thank you for having me.

Eric Cross (23:28):
Thank so much for listening. Now we wanna hear more about you in the amazing work you’re doing for students. Do you have any educators who inspire you? You can nominate them as a future guest on science connections by emailing stem, amplifycom.wpengine.com. That’s ST E M amplifycom.wpengine.com. Make sure to click, subscribe wherever you listen to podcasts and join our Facebook group science connections, the community until next time.

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What Sharita Ware says about science

“Sometimes, empowering your students to understand the why is what allows them to be able to do bigger and greater things on their own.”

– Sharita Ware

Engineer and Technology Teacher, 2020 Indiana Teacher of the Year

Meet the guest

Sharita Ware, a Purdue University graduate, is in her 10th year of teaching engineering and technology education to middle school students in the Tippecanoe School Corporation. Ware challenges her students with real-world, problem-based design scenarios that will help them contribute to global technology and integrated STEM. Follow her on Twitter and Instagram.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

Season 1, Episode 4

Teaching with determination, starring Khamphet Pease

Today on Beyond My Years, host Ana Torres learns all she can learn from the life stories and lessons of Khamphet Pease. As a refugee from Laos, Khamphet shares the difficulty she experienced navigating a home culture that did not encourage education or career ambitions for women. Despite that, she laughs over her stubbornness that she sees as an integral part of what has motivated her to chase her dreams, spend over 20 years as a STEM teacher, and what earned her the presidential award for excellence in mathematics and science teaching. Due to gendered norms and expectations, she almost lost out on the future she truly wanted. Since then, she has made it her mission to champion a learning environment where young girls feel they belong and can thrive in STEM fields. Khamphet takes Ana on a journey through all the lessons she learned along the way of managing work/life balance, creating a classroom culture of trust, and the importance of finding a mentor during the hardest teaching years of your life. Once back in the classroom, Eric Cross and Ana check in on Eric’s first two weeks of back-to-school and discuss practical ways to take care of yourself first so you can then take care of your students.

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Meet Our Guest(s):

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Khamphet “Phet” Pease

Khamphet “Phet” Pease has been teaching for 20 years at Wilson Middle School in San Diego, CA, where she has taught students across multiple grades and subjects, with a primary focus on mathematics and science. A tireless advocate for broadening STEM education, she is committed to breaking barriers for underrepresented students, including females, Black, Indigenous, and People of Color, and those from lower socioeconomic backgrounds. She founded and coaches the Wilson Robotics Club, leading her students to excel in competitions such as Botball and First Lego League, and earning numerous awards at local and national levels. Recognized for her outstanding contributions, her accolades include the 2015 San Diego County Teacher of the Year, the 2022 State Awardee for the Presidential Award for Excellence in Mathematics and Science Teaching (PAEMST), the 2022 CSTA Computer Science Teaching Excellence Award, and the 2023 National Center for Women & Information Technology (NCWIT) National Educator Award.

Meet our host, Ana Torres.

Ana has been an educator for 30 years, working in both the K–8 and higher education sectors. She served as an administrator and instructor at various public and private colleges and universities and as a bilingual and dual language teacher, dual language math and reading interventionist, dual language instructional coach, assistant principal, and principal in K–8 schools. Ana is currently the Senior Biliteracy and Multilingual Product Specialist on Amplify’s Product Specialist team, and delivers literacy and biliteracy presentations across the nation. Ana’s passion and advocacy for biliteracy and multiculturalism has led her to educate leaders, teachers, and parents about the positive impact of bilingualism and biliteracy in our world.

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Meet our Classroom Insider, Eric Cross.

Eric Cross is a middle school science teacher who hopes to someday be a lifelong educator, like the guests on Beyond My Years! In each episode, Eric connects with host Ana Torres to discuss her guests’ best insights gleaned from their long and rewarding careers in the classroom. Then, Eric talks about bringing some of their wisdom into his current classroom and busy life.

Quotes

“If you’re just talking about somebody who has more teaching experience, then yes, I consider myself seasoned. But [in my] heart, I feel like because I’m a lifelong learner, I’m still learning new things every single year. I’m never relying on my old tricks. I’m always adding new tools to my tool belt.”

—Khamphet Pease

“The experiences I had growing up definitely affect the way that I teach and [they’re] actually a huge reason why I really advocate for girls and females in STEM, because I was almost prevented from finding my path just because of my gender.”

—Khamphet Pease

“I remember one class that I had [with only] one female student, and she was just looking around and I could see in her eyes that she just felt like this is not a place for her. She dropped out of that class and after that I was like, no, this is unacceptable.”

—Khamphet Pease

“This next school year, she told me I’m up at 60 percent girls in my intro to coding classe,. and that’s huge! I want to make sure that girls have access and they feel wanted and included and they can see themselves in these fields.”

—Khamphet Pease

“Sometimes [parents say], ‘Oh, no, this is not for girls. You shouldn’t learn engineering.’ And I invite them in, I say, ‘please come to my class, please come to my club.’ And when they come, they’re always so impressed.”

—Khamphet Pease

“We just need more women. More of their voices. They need more seats at the table because if we all hear [only] male voices, then 50 percent of the population isn’t going to have their problem solved as easily or as efficiently.”

—Khamphet Pease

“I know a lot of teachers [say], ‘Oh no, I don’t have time for that. I’ve got to cover the standards and I have to have all this done by the end of the year. So I don’t have time to spend two weeks doing this in my classroom.’ But let me tell you, it is so worth it because once you have that relationship and connection with your students when you do dive into the content, it is smooth sailing because they trust you now.”

—Khamphet Pease